Maritza N. Estrada earned an MFA in creative writing at Arizona State University, where she served as the 2020–2021 artistic development and research assistant for the Center for Imagination in the Borderlands, created by Natalie Diaz. Born in Toppenish, Washington, to Mexican parents, she was raised in Omaha, Nebraska.

Infinite Earth

by Maritza N. Estrada

Carry a body—
               which body, does it matter—
inside a casket built of your hands
               in a combi where the body’s last days
had traveled NE —› WA —› AZ —› entered
               México, then Guerrero—Teloloapan—
& now Tepozonalquillo.
               Dig a hole in ground, before: earth
those same hands into soil & ask, Who have I harmed
               in this life? Who am I w/o blooded hands?

A knife left by an untraced foot marks
               where to lay the body—fácil.
& as you dig for thirty days—a foot a day—
               on day eight, nod your head to abuelito & bisabuelita,
who have waited for a descendant’s choice of lay.
               A voice will inquire: Have you forgiven all who have murdered
you & I—does it matter? Have you traced the root of origin
               even at the expense of your own life?

A life of lead, I am led to state: iron, cross, shovel, gate.
               Is there not a reason to lock cemetery doors
out of security—not for the dead—but as desire’s duty
               to be by those who speak: Have you forgiven your life?
Have you forgiven your hands?

               & you dig & dig until surely you say, Yes.
Lie in your grave—exactly, there—
               a casket opening, arms crossed,
w/ palms on a marked body; yours—


Read on . . .

“Nocturne,” a poem by Javier Zamora